This is the year for tackling the tower of books that I already own but haven't yet read. I'm following along with #theunreadshelfproject2018, an initiative run by some of the best bookish souls on the internet, with the intention of helping readers to read the books they already own.
The project is encouraging readers to tackle their unread shelves before purchasing or borrowing other books. While I'm not swearing off new books entirely (I always purchase copies of our selections for the DBC), this will be a great way for me to stay focused on reading from my own shelves. I thought about counting the number of books that I own and haven't yet read, and then I realized that I'd rather be reading. So I plucked five of my most-anticipated 2018 reads from my personal library to share with you today.
Winter 1945. WWII. Four refugees. Four stories.
Each one born of a different homeland; each one hunted, and haunted, by tragedy, lies, war. As thousands desperately flock to the coast in the midst of a Soviet advance, four paths converge, vying for passage aboard the Wilhelm Gustloff, a ship that promises safety and freedom. But not all promises can be kept...
World War II is drawing to a close in East Prussia and thousands of refugees are on a desperate trek toward freedom, many with something to hide. Among them are Joana, Emilia, and Florian, whose paths converge en route to the ship that promises salvation, the Wilhelm Gustloff. Forced by circumstance to unite, the three find their strength, courage, and trust in each other tested with each step closer to safety.
Just when it seems freedom is within their grasp, tragedy strikes. Not country, nor culture, nor status matter as all ten thousand people—adults and children alike—aboard must fight for the same thing: survival.
Told in alternating points of view and perfect for fans of Anthony Doerr’s Pulitzer Prize-winning All the Light We Cannot See, Erik Larson’s Dead Wake, and Elizabeth Wein’s Printz Honor Book Code Name Verity, this masterful work of historical fiction is inspired by the real-life tragedy that was the sinking of the Wilhelm Gustloff—the greatest maritime disaster in history. As she did in Between Shades of Gray, Ruta Sepetys unearths a shockingly little-known casualty of a gruesome war, and proves that humanity and love can prevail, even in the darkest of hours.
The author of The Girl Who Came Home turns the clock back one hundred years to a time when two young girls from Cottingley, Yorkshire, convinced the world that they had done the impossible and photographed fairies in their garden. Now, in her newest novel, international bestseller Hazel Gaynor reimagines their story.
1917… It was inexplicable, impossible, but it had to be true—didn’t it? When two young cousins, Frances Griffiths and Elsie Wright from Cottingley, England, claim to have photographed fairies at the bottom of the garden, their parents are astonished. But when one of the great novelists of the time, Sir Arthur Conan Doyle, becomes convinced of the photographs’ authenticity, the girls become a national sensation, their discovery offering hope to those longing for something to believe in amid a world ravaged by war. Frances and Elsie will hide their secret for many decades. But Frances longs for the truth to be told.
One hundred years later… When Olivia Kavanagh finds an old manuscript in her late grandfather’s bookshop she becomes fascinated by the story it tells of two young girls who mystified the world. But it is the discovery of an old photograph that leads her to realize how the fairy girls’ lives intertwine with hers, connecting past to present, and blurring her understanding of what is real and what is imagined. As she begins to understand why a nation once believed in fairies, can Olivia find a way to believe in herself?
Everyone has a story . . . but will they get the happy ending they deserve?
Emilia has just returned to her idyllic Cotswold hometown to rescue the family business. Nightingale Books is a dream come true for book-lovers, but the best stories aren't just within the pages of the books she sells - Emilia's customers have their own tales to tell.
There's the lady of the manor who is hiding a secret close to her heart; the single dad looking for books to share with his son but who isn't quite what he seems; and the desperately shy chef trying to find the courage to talk to her crush . . .
And as for Emilia's story, can she keep the promise she made to her father and save Nightingale Books?
One Thousand White Women is the story of May Dodd and a colorful assembly of pioneer women who, under the auspices of the U.S. government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.
Set in Victorian London and an Essex village in the 1890's, and enlivened by the debates on scientific and medical discovery which defined the era, The Essex Serpent has at its heart the story of two extraordinary people who fall for each other, but not in the usual way.
They are Cora Seaborne and Will Ransome. Cora is a well-to-do London widow who moves to the Essex parish of Aldwinter, and Will is the local vicar. They meet as their village is engulfed by rumours that the mythical Essex Serpent, once said to roam the marshes claiming human lives, has returned. Cora, a keen amateur naturalist is enthralled, convinced the beast may be a real undiscovered species. But Will sees his parishioners' agitation as a moral panic, a deviation from true faith. Although they can agree on absolutely nothing, as the seasons turn around them in this quiet corner of England, they find themselves inexorably drawn together and torn apart.
Told with exquisite grace and intelligence, this novel is most of all a celebration of love, and the many different guises it can take.